Showing posts with label nature. Show all posts
Showing posts with label nature. Show all posts
February 13, 2018
Stitchy Snippets - Carpeting Landscapes
“It’s hard for people to understand that a rug can be art, but maybe that’s changing.” says Alexandra Kehayoglou who crafts beautiful landscapes into rugs! With a long family heritage of carpet making, Alexandra has forged her own unique style of rug making over the last ten years.
Surrounded by artisans throughout her childhood, Alexandra clearly garnered an abundance of knowledge whilst growing up amongst the family business. Her studio is based alongside the family carpet factory, El Espartano, where she spends weeks and months hand crafting her 'grassland rugs'. Created entirely from discarded textiles from her family's factory, these sustainable artworks have adorned galleries, fashion shows and luxury department store, Hermès.
Nature and its fragility is key to her work. "I feel I have a purpose to weave more greenery as a reaction to the gradual disappearance of our natural world" she explains. "Nature, and how to introduce that into artificial spaces, was always my starting point."
These rich tapestries lie between function and art and are so intricately constructed while inviting and cosy. "Being touched, walked on and dirtied, brings the works to life. The work then tells a story ... rather than serving purely as a decorative object." Alexandra states "I love that my rugs become a register of lives lived."
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November 14, 2017
Stitchy Snippets - Tiny Textiles
What do you think of these awesome, minature textile sculptures? They are created by Miami based Fiber Artist, Amy Gross. When talking of her work, Amy says, 'My hand-embroidered and beaded fiber sculptures are my attempt to merge together the natural world and my own inner life. Their symbiosis suggests not only what can be seen, but also what cannot.'
Initially, Amy decided not to use any elements taken directly from nature in the construction of her art, therefore all of the components are artificial. Amy explains that 'If there's a leaf it cannot be a leaf, if there's a twig it can't be a leaf because it's about fake nature and making stuff up ... it's not going to rot or decay.'
Some of the mixed media that Amy uses are: Styrofoam balls, synthetic yarn, plastic beads, paper and photographs. All of the elements are stitched together or connected with glue and many pieces incorporate intensely beaded areas which are extremely time consuming to create.
Here is a fantastic video which gives a greater insight into Amy Gross' work and her inspiration.
July 5, 2017
Wonderful Wednesday #41: Quarter Inch Mark
How lovely is this Forest Hill Embroidery Pattern in the Quarter Inch Mark shop on Etsy? I love the attention to detail and the lovely colors that have been used to create this pattern!
Look at the beautiful whitework embroidery on this knit bag, a pattern which is also included:
If you'd like to learn more about this pattern - visit this blog post by their creator, Chase: http://quarterinchmark.blogspot.com/2017/05/forest-hill-embroidery-pattern-knit-bag.html
For more on Chase, visit -
Instagram: @quarterinchmark (https://www.instagram.com/quarterinchmark/)
Twitter: @quarterinchmark (https://twitter.com/quarterinchmark)
http://quarterinchmark.blogspot.com/
Hi, I'm floresita, editor of Feeling Stitchy. I'm an avid stitcher, knitter, and crafter. You can see more of my stitching on Instagram and my blog. My vintage transfer collection is on Vintage Transfer Finds.
Feel free to email me with any ideas for the blog!
June 13, 2017
Stitchy Snippets - Smocked Jewels
Check out this really unusual jewelry by UK based textile artist Tinctory. Luxurious silks are beautifully hand dyed using natural dyes from plants. Smocking is used to transform the fabric into wonderful shapes, textures and patterns. This traditional embroidery technique involves gathering fabric and holding the pleats into place with patterned stitches, which provide further adornment as well as being functional. Taking much inspiration from the world around her, Tinctory's jewellery resembles natural elements and appears as if it has been plucked from an English garden.
Labels:
hand dyed silks,
hand embroidery,
nature,
plant dyes,
smocking,
Tinctory
August 19, 2009
Interview - Hare And Drum
Time for another interview! I am sure you must have seen the work of Hare And Drum on Flickr - and one piece was highlighted here on Feeling Stitchy a little while ago. Hare And Drum is a duo of talented ladies: Agnieszka who thinks up the designs and her mum Maria who does the beautiful embroidery.
Who/what inspires you?
(Agnieszka, designer)
My designs are inspired by two major influences: nature, and historical design, often combined. I am making an effort to stay away from man-made items as imagery in our creations, although they are very tempting! It's a little niche I'm creating for our work.
How does your work benefit from your collaboration?
(Maria, embroiderer)
I have developed immensely in my skill ever since I started working with my daughter! I never before thought of creating entire patterns, other than small tweaks in the patterns I already found in books and magazines.
Additionally, my work used to be traditional in nature. I embroidered table and bed linens and added some stitchery to clothing. Now we both ventured into a whole new world of wall decor and jewelry, often in color schemes that I used to consider crazy! Working on them also pushes me to develop new techniques. One example is the Pine Tree, for which I needed to fill large areas of horizontal satin stitch, adding realistic texture at the same time. (see photo I attached)
(Agnieszka)
Mom and I have a great, continuous conversation about each design. We truly create it together. Mom reins in my wilder ideas and translates them into reality. It may have been difficult for me at first but it definitely made me a better designer who understands the constraints of the material we work with.
How long have you been stitching?
(Maria)
My first embroideries were 4th grade school projects, ages ago in Poland. All kids in my class, including boys, needed to create an embroidered piece as part of standard workshop curriculum. Same goes with knitting and other simple crafts. Girls, in turn, needed to do some woodworking. Very holistic approach to education, I'm sad to see it gone and replaced by cramming theory.
Later, crochet home decor became more popular so I didn't embroider much at all. I started stitching again in my 30s to embellish my kids' clothing and then became part of a hobby group headed by a Hungarian lady. That way I took up interest in Hungarian folk embroidery and discovered magazines with printed embroidery patterns.
Please tells us about your subject matter
(Agnieszka)
Historical images I use are mostly Art Nouveau designs, often authentic, from museum collections. I give them new life by adding contemporary color schemes and reworking their ornate patterns to fit certain constraints of embroidery. Art Nouveau designs are most often nature-based, so they are easy to fit into my general interest in nature.
I use nature as inspiration, both the monumental (trees, entire landscapes, such as my Four Seasons series) and the miniature (most recently, insects, sea creatures).
What perceptions of embroidery do you meet?
(Agnieszka)
Granny style comes to mind. I believe embroidery and crochet are still plagued by that perception, as much as knitting has been rediscovered by younger crowd. Your Flickr group certainly contributes to changing that perception! Most recently it seems to be working and embroidery becomes recognized as fashionable again, with the revival of Victorian style decor and new appreciation of fiber art and crafts as recalling the comforts of home in difficult times.
Why is embroidery worthwhile?
(Agnieszka)
It's fun! It's like painting a picture with an unlikely tool that a needle is! It allows for a lot of whimsy and is much more forgiving than a painted canvas: you can just cut the floss out and start again.
(Maria)
Embroidery and fiber in general do not seem durable at first. But small, well loved embroidered pieces are likely to last generations! I still have a piece of cross stitched table cloth that my parents received as their wedding gift in 1942. The table cloth survived a wartime bombing and multiple moves. I remember it on my parents' table when I was a little girl. I'm planning to frame the piece that's left. I guess hand stitched items emanate that great warm and cozy feel of home.
Any advice for "newbie" embroiderers?
(Maria)
Patience is a must! It takes a lot of trial and error to finish a piece, so start small and with simple techniques such as cross stitch or linear embroidery. Make sure the pattern is clearly copied onto fabric and that you have good light when working. When you make a mistake, undo and correct right away rather than wait and hope it will not show. It will. But first, enjoy what you are creating!
Are there any other embroiderers in the group/pool that you have noticed?
(Agnieszka)
I love these bee coasters!
I really appreciate clean lines done with just a few stitches. Complex is not always better, and this is a prime example. Great colors for the coaster fabric, too!
(Maria)
The one thing that I am a little afraid to try is a human face done in embroidery. This piece is so sweet and the face wonderfully done!
Who/what inspires you?
(Agnieszka, designer)
My designs are inspired by two major influences: nature, and historical design, often combined. I am making an effort to stay away from man-made items as imagery in our creations, although they are very tempting! It's a little niche I'm creating for our work.
How does your work benefit from your collaboration?(Maria, embroiderer)
I have developed immensely in my skill ever since I started working with my daughter! I never before thought of creating entire patterns, other than small tweaks in the patterns I already found in books and magazines.
Additionally, my work used to be traditional in nature. I embroidered table and bed linens and added some stitchery to clothing. Now we both ventured into a whole new world of wall decor and jewelry, often in color schemes that I used to consider crazy! Working on them also pushes me to develop new techniques. One example is the Pine Tree, for which I needed to fill large areas of horizontal satin stitch, adding realistic texture at the same time. (see photo I attached)
(Agnieszka)
Mom and I have a great, continuous conversation about each design. We truly create it together. Mom reins in my wilder ideas and translates them into reality. It may have been difficult for me at first but it definitely made me a better designer who understands the constraints of the material we work with.
How long have you been stitching?(Maria)
My first embroideries were 4th grade school projects, ages ago in Poland. All kids in my class, including boys, needed to create an embroidered piece as part of standard workshop curriculum. Same goes with knitting and other simple crafts. Girls, in turn, needed to do some woodworking. Very holistic approach to education, I'm sad to see it gone and replaced by cramming theory.
Later, crochet home decor became more popular so I didn't embroider much at all. I started stitching again in my 30s to embellish my kids' clothing and then became part of a hobby group headed by a Hungarian lady. That way I took up interest in Hungarian folk embroidery and discovered magazines with printed embroidery patterns.
Please tells us about your subject matter
(Agnieszka)
Historical images I use are mostly Art Nouveau designs, often authentic, from museum collections. I give them new life by adding contemporary color schemes and reworking their ornate patterns to fit certain constraints of embroidery. Art Nouveau designs are most often nature-based, so they are easy to fit into my general interest in nature.
I use nature as inspiration, both the monumental (trees, entire landscapes, such as my Four Seasons series) and the miniature (most recently, insects, sea creatures).
What perceptions of embroidery do you meet?(Agnieszka)
Granny style comes to mind. I believe embroidery and crochet are still plagued by that perception, as much as knitting has been rediscovered by younger crowd. Your Flickr group certainly contributes to changing that perception! Most recently it seems to be working and embroidery becomes recognized as fashionable again, with the revival of Victorian style decor and new appreciation of fiber art and crafts as recalling the comforts of home in difficult times.
Why is embroidery worthwhile?(Agnieszka)
It's fun! It's like painting a picture with an unlikely tool that a needle is! It allows for a lot of whimsy and is much more forgiving than a painted canvas: you can just cut the floss out and start again.
(Maria)
Embroidery and fiber in general do not seem durable at first. But small, well loved embroidered pieces are likely to last generations! I still have a piece of cross stitched table cloth that my parents received as their wedding gift in 1942. The table cloth survived a wartime bombing and multiple moves. I remember it on my parents' table when I was a little girl. I'm planning to frame the piece that's left. I guess hand stitched items emanate that great warm and cozy feel of home.
Any advice for "newbie" embroiderers?(Maria)
Patience is a must! It takes a lot of trial and error to finish a piece, so start small and with simple techniques such as cross stitch or linear embroidery. Make sure the pattern is clearly copied onto fabric and that you have good light when working. When you make a mistake, undo and correct right away rather than wait and hope it will not show. It will. But first, enjoy what you are creating!
Are there any other embroiderers in the group/pool that you have noticed?
(Agnieszka)
I love these bee coasters!
I really appreciate clean lines done with just a few stitches. Complex is not always better, and this is a prime example. Great colors for the coaster fabric, too!
(Maria)
The one thing that I am a little afraid to try is a human face done in embroidery. This piece is so sweet and the face wonderfully done!
June 2, 2009
Seed, leaf, bark, stone

stitched by knitalatte11
Amazingness! Your eyes do not fool you, Margaret of Resurrection Fern has indeed, embroidered a stone:

stitched by knitalatte11
She says she will never reveal her secret method. Sounds like a lot of peeps are going to be asking "pretty please." :) Bravo Margaret!
Hi, I'm floresita, editor of Feeling Stitchy. I'm an avid stitcher, knitter, and crafter. You can see more of my stitching on Instagram and my blog. My vintage transfer collection is on Vintage Transfer Finds.
Feel free to email me with any ideas for the blog!























